This was followed by Oswald the Lucky Rabbit, an original cartoon series that took more than a few cues from Pat Sullivan’s Felix the Cat animated shorts. Back in 1923, Disney Brothers Studio (later renamed Walt Disney Studio and then Walt Disney Productions) began production on its Alice comedies, which were inspired by both Alice in Wonderland and Max Fleischer’s Out of the Inkwell cartoon series. The Walt Disney Company has a history founded on remakes - and not just adapting fairytales for animation (although, obviously, that’s a big part). Disney has found a film formula that’s like printing money, and gosh darn it, they are going to spill some ink.Īnd the truth is, as much as we may hate to admit it: making remakes is very much what Disney does - and what the company has always done.ĭisney’s live-action remakes are just the latest stage Credit: Walt Disney Studios To put that in perspective, Dungeons and Dragons: Honor Among Thieves - also based on an established IP and rated highly by critics and audiences alike - earned just over $200 million. and Canada because of the pandemic but still somehow earned almost $70 million internationally, as well as VOD sales ( some reports say as much as $260 million). Heck, 2020’s Mulan didn’t get a traditional theatrical release in the U.S. Disney live-action remakes sell tickets Credit: Walt Disney PicturesĮven taking into account the budget, marketing, and other expenses, these movies are almost absurdly lucrative for the studio. ![]() In 2019 alone, both Aladdin and The Lion King earned over $1 billion each at the box office. The last decade saw a pattern of the studio updating beloved classic animated films for live-action and then melting box offices worldwide with red-hot ticket sales. The “Disney live-action remake” has become somewhat of a regular gimmick. You don’t have to look too hard to find people online griping about Disney’s over-reliance on established IPs. It’s unsurprising, then, that news of Walt Disney Studios developing a Moana live-action remake elicited an unenthusiastic response. The once-untouchable Marvel Cinematic Universe isn’t selling tickets like it used to, The Little Mermaid failed to make a splash, and Pixar’s return to theatres, Elemental, is underperforming financially (so far, anyway) despite pretty strong reviews. Ron DeSantis - we’ve seen the company struggling at the box office, despite several high-profile releases. Putting aside the corporate drama - like Bob Iger’s return as CEO in November and the continuing feud in Florida with Gov. It’s been a weird year to be a Disney fan.
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